This is Fake Art

This is just Bat Shit Crazy. A triptych piece with the canvases linking together with narrow gauge chain. Available as S, M or L.

During a refurbishment at the Natural History Museum we recovered some concrete from the lift shaft and after close inspection discovered fossils ranging - we think - from the prehistoric time.

It is widely believed Trump sleeps under a very thin linen sheet, over time orange dye leaches into the fabric and now an outline of his face appears on the material.

2004's Barbie was centred on world peace, helping the homeless, the poor and taking care of animals. They fly in to the rescue in formation as per the traditional flying ducks on your grandmother's living room wall.

A whole salmon filleted to reveal FAUK dyed into the fish using the canthaxanthin dye.

We are able to offer our exclusive limited edition band tour shirts - catch them before anyone else ever can:

• 0071: The Killers 2022 "BANKSIDE" Global Tour
• 0072: Michael Jackson’s 2019 "Rejuvenate / Hope-full" Tour
• 0073: Rag and Bone Man's "Not Failing" 2019 South Tyneside Tour
• 0074: Ed Sheeran's "Shine a light at Fram" sensational 2027 revival tour

Just As is.

This is a striking example of abstract expressionism, where the physical process of creation is just as important as the final image. Here is a breakdown of its elements:

Composition and Texture: The piece is dominated by a dense, central mass of thick, impasto paint. The brushwork (or perhaps palette knife work) is incredibly tactile, with deep ridges and swirls that give the "subject" a three-dimensional, sculptural quality. It feels organic—almost like a mossy rock formation, a storm cloud, or a topographical map of a rugged terrain.

Color Palette: The colors are a sophisticated mix of earthy and vibrant tones:

The Core: A heavy concentration of sage greens, muddy blues, and slate greys.

The Highlights: Pops of magenta, bright yellow, and a singular streak of deep violet provide a sharp contrast to the more muted base.

The Canvas: Interestingly, the artist has left the raw wood (likely a plywood or timber panel) exposed around the edges. This grounds the "messiness" of the paint in something natural and structural.

Setting and Context: Presented in a minimalist gallery setting with a simple wooden frame, the painting acts as a "window" of raw energy against a sterile, white environment. The title, "Workbench No. 9" is particularly revealing—it suggests that this may actually be a functional workbench top that has been "framed" as art.

If this is indeed a section of an actual workbench, it recontextualizes the paint as a history of labor—years of drips, spills, and wipe-offs from other projects that have accidentally created a masterpiece.

Mood: The mood is one of industrial grit turned into beauty. It feels heavy, deliberate, and layered with time.

As I sit in the dentist chair I quickly realise things aren't quite so good, available free on the NHS.

Red stilettos, white stockings & blue LED lighting.

As sea temperatures increase we need to reevaluate our reliance on traditional fishing methods. We ask you to embrace the campaign and send your lobster pot on with other LPP members c/o FAUK.

We should all be thinking about prepping for the unthinkable so get ahead of the Joneses ensuring future proof communications with this 4G mobile morse code box kit.

Signature piece.

Just that, a limited edition of giclee prints.

'Make it Easier' printed onto all 17,000 pages, not very interesting at all but well documented.

FAUK looks at beautiful furniture; a copper clad dining table for six with birds happily chatting on the telephone wires.

You're the First, the Last, My Everything pasted onto MDF table.